After exploring the Queensland Maritime Museum (Brisbane, Australia) and the Greenwich Maritime Museum (Greenwich, United Kingdom), a similar approach to Ishii and Ullmer's process was employed.
The methodology utilised wood and brass for the visual aesthetic. This design approach was carried throughout the installation from the physical (ships, tables, etc.) to the virtual battlefield (map, cannon balls, etc.).
Collage of marine instruments and sources of inspiration for the Commodore aesthetic.